Illustration
2025
The second work reimagines a Filipino figure in a posture reminiscent of the Manunggul Jar, enveloped by an omniscient, animistic presence suggestive of ancestral consciousness—one that has been partially obscured by the historical dominance of Catholicism. Together, the works examine how kapwa persists within the Filipino cultural subconscious, questioning whether it remains an enduring tether to collective memory or a fading trace of precolonial relationality.